Chicago Symphony Orchestra - Backstage MAY/JUNE 2008 Chicago Symphony Orchestra - 312-294-3000
SEASON FINALE: BERNARD HAITINK CONCLUDES HIS RESIDENCY OTHER MAY/JUNE FEATURES ON CSO.ORG
Bernard
Haitink

Yuan-Qing Yu


Michael Tilson Thomas

Pinchas Zukerman

The Thomashefskys
Michael Tilson Thomas

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HAITINK AND MAHLER
In Maestro Haitink's ongoing examination of the Mahler symphonies, the Orchestra performs the composer's First Symphony, a signature piece and CSO calling card for decades. Remarkably, its premiere was coldly received, prompting Mahler to make several revisions before its final publication ten years after the first performance.
Peter Lieberson's award-winning song cycle, Neruda Songs, brings mezzo-soprano Kelley O'Connor back to Symphony Center, following her widely praised role in Golijov's Ainadamar in February. The songs, written for Lieberson's wife, the late Lorraine Hunt Lieberson, are based on five love poems by Chilean poet Pablo Neruda. Each poem, says Lieberson, "seemed to me to reflect a different face in love's mirror." These are the first performances of the song cycle since Hunt Lieberson's death.
MAHLER 1
Chicago Symphony Orchestra
Bernard Haitink conductor
Kelley O'Connor mezzo-soprano
Ravel Menuet antique
Lieberson Neruda Songs
Mahler Symphony No. 1
CSO Thursday series concerts are sponsored by Fidelity Investments.
HAITINK AND SHOSTAKOVICH
The year was 1976 and local music critics were keenly awaiting the arrival of a certain guest conductor. "Bernard Haitink has finally come to town for his long overdue debut with the Chicago Symphony," exclaimed one newspaper. During those highly anticipated appearances, Haitink led a notable premiere: the CSO's first performances of Shostakovich's Symphony No. 4.
More than thirty years later, Haitink is back— now as CSO principal conductor—to lead the Orchestra in the same work. In five concerts that will be recorded for release on our in-house CSO Resound label, the CSO will perform this immensely powerful work. Using a vast arsenal of instruments, this symphony is regarded as one of Shostakovich's most gripping and chilling scores.
SHOSTAKOVICH 4
Chicago Symphony Orchestra
Bernard Haitink conductor
Haydn Symphony No. 101 (The Clock)
Shostakovich Symphony No. 4
CSO Tuesday series concerts are sponsored by United Airlines.